"It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan. "
Kurt Kren (September 20, 1929 - died in Vienna on June 23, 1998) was an Austrian avant garde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted.
Kurt Kren was born in 1929 in Vienna, Austria to a family of a Jewish father (a bank employee) and German mother. From 1939 till the end of World War II Kren lived in Rotterdam, where he was sent with one of the Children's Transports. In 1947 Kren returned to Vienna, and his father provided him a job at the National Bank.
He began a film career in the early 1950s creating experimental short 8mm films. In 1957 he moved to the 16mm format.
In 1966, Kren participated in the Destruction in Art Symposium in London. In 1968 he visited the USA for the first time, showing his films in New York and St. Louis. After a participation in a happening "Kunst und Revolution" ("Art and Revolution") at the University of Vienna in 1968, Kren's films were confiscated and he was fired from the National Bank.
From 1978 until 1989 Kurt Kren lived in the USA, sometimes just in a car, traveling, making presentations and lectures at universities and film schools.
Kren returned to his native Vienna in 1989. In the 1990s his works were presented worldwide, also by the major museums and cinematheques. He was a co-founder of the Vienna Institute of Direct Art and the Austrian Filmmakers Cooperative.