Savage Messiah is a 1972 British biographical film of the
life of French sculptor Henri Gaudier-Brzeska, made by Russ-Arts and
distributed by MGM. It was directed and produced by Ken Russell with Harry Benn
as associate producer, from a screenplay by Christopher Logue, based on the
book Savage Messiah by H.S. Ede. Much of the content of Ede's book came from
letters sent between Henri Gaudier-Brzeska and his lover Sophie Brzeska. The
music score was by Michael Garrett (though music by Claude Debussy and
Alexander Scriabin was also used), and the cinematography by Dick Bush. The
sets were designed by Derek Jarman.
Showing posts with label Ken Russell. Show all posts
Showing posts with label Ken Russell. Show all posts
Monday, November 28, 2011
Whore (1991) by Ken Russell
Whore is a 1991 film and the last film by controversial British director and screenwriter Ken Russell, starring actress Theresa Russell as a Los Angeles prostitute. The film remains fairly rare as it has only been released on VHS as of 2012. Below is a link to the view the full feature. Enjoy.
Saturday, March 20, 2010
Ken Russell's, The Devils (1971), feature + trailer & Hell on Earth - The Desecration & Resurrection of "The Devils" (2004)


An online petition has been created to send to Warner Brothers to convince them to release a restored uncut DVD edition of the "the Devils".
http://www.petitiononline.com/Grandier/
Labels:
1971,
2004,
documentary,
film,
Hell On Earth,
Ken Russell,
The Devils,
trailer
Salome's Last Dance (1988) by Ken Russell

In the play, all the roles are played by prostitutes or their clients, and each actor (except Grace) plays two roles, one in the brothel and the other in the play. King Herod (Stratford Johns) begs his young stepdaughter Salome (Imogen Millais-Scott) to dance for him, promising to give her anything she desires, much to the irritation of her mother, Herodias (Glenda Jackson). Salome ignores him, choosing instead to try and seduce John the Baptist, who is Herod's prisoner. John responds by loudly condemning both Herod and Salome in the name of God. A spurned and vengeful Salome then agrees to dance for Herod — on the condition that she be given anything she asks for. Herod agrees, but it is only after the dance is over that Salome asks for the head of John the Baptist on a platter. Herod is appalled, tries to dissuade her, but finally gives in to her request. The scenes from the play are interwoven with images of Wilde's exploits at the brothel.
This film met with modest critical acclaim. The review in the New York Times called it "a perfumed, comic stunt," but noted that "Mr. Russell forces one to attend to (and to discover the odd glory in) the Wilde language, which, on the printed page, works faster than Valium." References: http://en.wikipedia.org/wiki/Salome%27s_Last_Dance

Labels:
1988,
film,
Ken Russell,
Oscar Wilde,
Salome's Last Dance
Omnibus: The Dance of the Seven Veils; A Comic Strip in 7 Episodes on the Life of Richard Strauss,1864-1946 (1970) by Ken Russell



Ken Russell at his best and most kitsch, a foretaste of energy and excitement of The Music Lovers. It is his first television film in color. The film has been described as a violent caricature of composer Richard Strauss. The comic strip approach and appearance of Hitler alienated his audience. A couple make love on the bed and just behind the bed is a chamber orchestra with Ken Russell himself conducting both the orchestra and the couple. When the Strauss family withdrew permission to use the music after the initial broadcast, Russell substituted Johan Strauss when excerpts from the film were broadcast (as in A British Picture). It was time for Ken to move on from the BBC and back into films.
Reference: http://www.iainfisher.com/russell/ken-russell-tv-omnibus.html
Knights on Bikes (1956) by Ken Russell



Peepshow (1956) by Ken Russell

The Bogus Beggar's Academy trains beggars (dark glasses to appear to be blind, practising limping with crutches etc). But their earnings fall when a peepshow is set up. Through the hole in the wall is a professor and a mechanical life-size doll, played by Shirley Russell (then Shirley Kingdom)
The films is influenced by The Cabinet of Dr Caligari, and is also similar to the amateur films Roman Polanski was making round the same time (Two Men and a Wardrobe) but is well below the level of Polanski or of Russell's later Amelia and the Angel. The best parts are the photography from above of the crowd around the hole in the wall (compare with Hitchcock).
A nice touch is that the story (the film is silent so it is told in writing) is chalked to the pavement or painted on walls. And the opening credits with credits painted on umbrellas filmed from above, which are then removed to reveal the rest of the credits on the pavement, is imaginative.
The doll sequence would later be used in Gothic.
More Information:
http://www.imdb.com/title/tt0049606/
http://www.iainfisher.com/russell/ken...
Antonio Gaudi (1961, BBC documentary) by Ken Russell

He is best known for his Oscar-winning film Women in Love (1969), The Devils (1971), The Who's Tommy (1975), and the sci-fi film Altered States (1980).

Photograph of Antoni Gaudi (1878) by Pau Audouard.
For more information on Ken Russell: http://en.wikipedia.org/wiki/Ken_Russell
For more information on Antonio Gaudi: http://en.wikipedia.org/wiki/Gaudi
Labels:
1961,
Antonio Gaudi,
BBC,
documentary,
film,
Ken Russell
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